Praised for his "nobility and rich tone," (The New York Times) and his "enormous, thrilling voice seemingly capable ... [of] raising the dead;" (Wall Street Journal), bass-baritone Dashon Burton has appeared in the Brahms Requiem and Beethoven 9 with Franz Welser-Möst and the Cleveland Orchestra in the last two seasons; also the Mozart Requiem in the summer season at Severance Hall. He joins forces with Cleveland and Welser-Möst again in 2017/18 for reprise performances of their groundbreaking production of Janacek’s Cunning Little Vixen and for performances of Beethoven 9 in their Prometheus Project, at home and abroad in Vienna and Japan.
Burton’s opera engagements include singing Sarastro in Die Zauberflöte in Dijon and Paris, and the role of Jupiter in Rameau’s Castor and Pollux with Christoph Rousset and Les Talens Lyriques. He has toured Europe in the St. John Passion with Christoph Prégardien’s Le Concert Lorraine, and in Italy with Maaski Suzuki and the Yale Schola Cantorum in the St. Matthew Passion, a work he also sang on tour in the Netherlands with the NNSO.
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